Additional Directing

As a director I specialize in laboratory and co-created performances, devised adaptations, university productions, musical performances, and new plays. Recent partnerships have included directing at Columbia College’s MFA in Acting and Contemporary Performance Making; Oracle, Red Tape, and Trap Door in Chicago; VoxLab, a summer festival of new works at Dartmouth College; and working as a movement specialist staging violence, intimacy, and stylization for main stage productions at the University of IL at Chicago.

Revelation Mars (2019)

Director | Co-created with MFA in Acting and Contemporary Performance Making at Columbia College Chicago. Inspired by Ray Bradbury’s The Martian Chronicles.
Oklahoma! Winner Takes All (2018)

Director | Co-created with MFA in Acting and Contemporary Performance Making at Columbia College Chicago. Inspired by Oklahoma! and The Outsiders.
Mother of Smoke (2017)

Director | Co-created with Walkabout and Red Tape ensembles in Chicago. Original text by Emma Stanton, Morgan McNaught, and Lucas Baisch with fragments of Mee’s Trojan Women and Checkov’s Cherry Orchard.
Circle-Machine (2016)

Director | Adaptation of Chuck Mee’s Full Circle by Emma Stanton, Nigel O’Hearn, Thom Pasculli | Oracle Productions, Chicago
Core of the PUDEL (2013)

Director | Co-created work inspired by the legend of Faust | Links Hall and Trap Door Theatre, Chicago. Jeff Award Nominated best ensemble / best adaptation.
The Reluctant Lesbian (2012)

Director | New Work Written by Kate Mulley | Cherry Lane Studio, NY, NY | VoxLab, NH
Amahl and the Night Visitors (2015)

Movement Director | Directed by John Sheehan at Lincoln Center’s Avery Fisher Hall